The Distance We've Traveled

Crane's Lettra, needle and thread, Easy Cut printing block, stamp pad, colored pencils in fabric pouch

In November 2018, Amie Tullius invited Marnie to contribute to the production and dissemination of a traveling literary journal Train Tracts, a collaborative effort lead by Amie and Stefanie Dykes of Saltgrass Printmakers. Marnie was paired with writer Rachel Marston*, Assistant Professor of English at the College of Saint Benedict and Saint John’s University in Minnesota, who offered a challenging text for interpretation and visual translation. The final edition of thirteen was due to the post office by January 31, 2019 so that the tracts, twelve editions of collaborative artists books by printmakers/book artists & creative writers, could be shipped to Art Mules. The Art Mules then delivered the tracts to train stations and sent them on their individual journeys. Train traveling readers were invited to add verbal and/or visual responses to the tract. Each tract contained return postage and the request to return it in time for an exhibition at the Rio Gallery in Salt Lake City, Utah in March 2019.

The Distance We’ve Traveled, one of these train tracts, is a frank, complex, and moving account of the writer’s experience with breast cancer that brims with visual language. The book is a series of sixteen, 4.25” x 4.25” panels to be sewn into a stiff-leaf boustrophedon by readers during the journey. The text, divided by the author into twelve sections, was divided across thirteen panels to parallel the pre-existing structure of the manuscript. The text requires the reader to stitch together panels in order to map the progression of the journey. Pre-sewn copies are available by request.

The text and textural elements were printed letterpress from polymer plates. The sixteen panels are packed in a cotton pouch made of cloth suggesting a hospital gown. The snapped breast pocket accommodates tools for the reader to use in completion of the project, including: needles and thread, colored pencils and a sharpener, a small hand-carved stamp, stamp pads, two sheets of custom-made stickers, a custom-made plastic drawing template, and a small, saddle-stitched journal. The pouch readily holds the 16 panels before and after binding.